Layton’s Legacy

A great new book about Milwaukee philanthropist and patron of the arts, Frederick Layton is now out on the shelves. Historians John Eastberg and Eric Vogel have done an outstanding job in bringing this important history of the Layton cultural legacy to print.

From the Press Release:
New Book Entitled Layton’s Legacy – A Historic American Art Collection, Sheds Light on Milwaukee’s Noteworthy Cultural Arts History

MILWAUKEE, Wis. – If you ask any Milwaukeean if they’ve traveled on Layton Avenue, most will reply, “yes.” However, very few will know anything about the man whose name is attached to this busy street. This may be in part because when Frederick Layton died in 1919, he left behind no offspring, and some of his greatest gifts, the art gallery and art school named after him, were demolished years ago. The nationally renowned Layton Art Gallery building was torn down to make room for a parking lot in 1957. The Layton School of Art closed as well to make room for a freeway that was never built. Luckily, six of the school’s faculty members went on to found the Milwaukee Institute of Art & Design, and the core collection of the original Layton Art Gallery can still be seen today at the Milwaukee Art Museum. Because of the recent discovery of Layton family papers, travel journals, and vintage photographs, the critical role that Frederick Layton played in developing the city’s love for fine arts and culture can’t be overlooked.

There are also two upcoming events surrounding the book’s release:

Sunday, September 29, 2013 at 3 p.m.
Boswell Book Signing
2559 N. Downer Ave. Milwaukee, WI 53211

Friday, October 18, 2013 from 6 – 8 p.m.
Gallery Night Presentations (a 20 minute video on Frederick Layton will air and then be followed by a book signing and then repeated throughout the night)
MIAD Board Room off of the Brooks Stevens Gallery,
373 E. Erie, Milwaukee, WI 53202

The Milwaukee Ornamental Carving Company

This ornamental workshop was one of the large, early companies specializing in large sculptures in the city. It was founded by two German immigrants in 1886; Carl Kuehns and Otto Papke. Carl was a woodcarver and Otto was an artistic plasterer. Together they created numerous works of art and mixed with the large groups of German artists and artisans downtown.

The article mentions the work of the company included the lost statue of Germania that was removed from the Germania Building after the start of World War 1. Other sculptures that were done by Carl Kuehns include the Pabst statue of King Gambrinus, the statue of Aurora which was at the old Schlitz Palm Garden downtown, and he even carved circus wagons for Ringling Brothers.

The following article is from the Milwaukee Journal of February 17, 1906 and gives a general overview of the company.

The Milwaukee Ornamental Carving Company

While other cities are boasting of their magnificent statues along their boulevards, of their beautiful decorations in places of public interest, Milwaukee can go them one better by declaiming that the works of art about the city are the products of Milwaukee artists. When the city desires to erect a monument commemorative of some brave deed or historic event, Milwaukee artists are called upon to do the work. When the local citizen wants to build a structure calling for artistic interior decorations of bronze and stone, he can find the best workmen in this city.

The Milwaukee Ornamental Carving Co. is famous throughout the northwest for its artistic work. In a recent article the Western Builder says: “The firm has won high reputation of producing the finest kind of modeling, which, because of its trueness of detail, is recommended by many of the most prominent architects in the United States.”

The firm was organized in 1886 with C. Kuehns and O. H. Papke as proprietors. Mr. Kuehns is a sculptor of the highest ability, having been graduated with honors from the Academy of Arts in Berlin, Germany. The firm has done a great deal of work for the theaters, churches and public buildings of the city. Among the familiar local objects of art which are the products of this firm is the bronze statue over the entrance to the Germania building, three large reliefs in St. Stanislaus church, and other work of equal ability. The large Statue of Liberty in the old Exposition building was also the work of Mr. Kuehns. The trade of the firm is not confined to the local field. all the ornamental interior decorations in the residence of Col. W. H. Morgan of Alliance, O., were made by this Milwaukee firm. The firm also has produced artistic designs for a number of the largest cathedrals throughout the country, The firm employes nearly fifty skilled workmen in their special lines.

Do You Remember Schlitz Park?

This is another article in the series written by Frederic Heath in the Milwaukee Leader during 1920-1921. I posted a few others earlier this year and will post more later on.

Schlitz Park at North 8th & W. Brown has gone through many name changes over the years and is now known as James W. Beckum Park. The hill mentioned in the article remains, one of the only reminders of the park’s past. Many of the other parks mentioned were scattered around the older parts of the city and have either become public parks or have been sold and developed. Shooting Park has become Clinton Rose Park on King Drive and Burleigh.

Milwaukee Leader, March 24, 1920

DO YOU REMEMBER?
SCHLITZ PARK IN THE EARLY 80’S?

BY FREDERIC HEATH

The Milwaukee public park system put the private parks and beer gardens into the discard, but any valued memories remain of the private gardens, and in many ways they played an important part in Milwaukee’s history. There was Quentin’s park, Shooting park (now Pabst park), Miller’s garden, Milwaukee garden, National park (Bielfeld’s garden), etc. Outside the first two, these are all gone.

Quentin’s park became Schlitz park, and is now the city’s Lapham park. Here are a few other old time gardens, just to revive your memories: Johannesburg garden, (Ninth and Galena), Rose Hill park, Little Paris (Klein Paris), Schneider’s park (35th & Vliet) where the Socialist-Democrats held their first picnic, Neumiller’s park, and so on. Quentin’s is recalled as it was when it became Schlitz park, and particularly in the early 80’s when the Schlitz park theater was at the zenith of its well deserved fame.

THEATER BECAME FAMOUS.

Through the summer comic operas and the like were given, under Otto Osthoff, as lessee, by companies of the best obtainable artists, and it had the town virtually at its feet.

Gilbert and Sullivan’s comic operas, Pinafore – which ridiculed the British navy – Pirates of Penzance, full of beautiful melodies, etc., had just burst into a world-sweeping fame. Billie Taylor, The Mascot, Chimes of Normandy, Olivette and others ranking second to the Sullivan operas, were also given, with The Bohemian Girl for good measure. Digby Bell, Milwaukee born, came to the park with Orpheus and Euridice, and scored tremendously. James Peake was one of the Park Opera Co. stars.

In those days the street railways ran open side step cars in summer, with seats running clear across.

SCENE OF MANY PICNICS.

But the park opera had its day and waned out. Many other attractions came to the park and even minstrel companies, and it was the scene of many a Labor day picnic, nationality picnics, band concerts, and political mass meetings.

The park hill still remains, and it is an interesting fact that early day historians always claimed it was an artificial eminence, heaped up by Indians in the uncharted past. There was an observatory on top of it from which in later years a huge flashlight swept the city. The old pavilion, refreshment room, bowling alleys and veranda drinking tables, near the Eighth street entrance, was torn down some years ago.

One of the First Milwaukee Produced Films

With the film festival coming up, we should remember that locally produced films are not a new thing. “Milwaukee Love” was probably one of the earliest photoplay films shot in Milwaukee and starred a local amateur cast. It was a silent movie and played at the Strand at 5th & Wisconsin for it’s debut at the end of May, 1926.

This article tells about the movie and was published in the Milwaukee Journal from May 23, 1926. What has happened to the film and many others like it is anybody’s guess but they are most likely lost forever. Many films from this era were printed on highly unstable nitrate film which at best, would slowly disintegrate over many decades. At worst they would spontaneously combust taking a building along with them.

See Milwaukee on the Screen

Large Audience at First Night of Amateur’s Film

All the thrill of a first night performance came to the members of the cast of “Milwaukee Love,” when the newest of the local movies was flashed upon the Strand screen Saturday.

The audience of first-nighters was large and enthusiastic, ready to give generously of their laughter and applause for the home town folks who did their camera bit to entertain. Crowds flocked to the Strand all day Saturday and, judging from their response, the comedy thoroughly pleased them and convinced even the most skeptical that an amateur production can be highly entertaining.

“Milwaukee Love,” produced with a Milwaukee cast by Director William Steiner of the Hudris Film Company and sponsored by The Journal will continue at the Strand through Friday.

Our Hero Makes Good

Anita Alsberg as the heroine and Robert Johnson as the hero, who make good despite all obstacles, both perform exceptionally well and screen splendidly. Chauncey Yockey as Papa Atherton proves that he can quit his job as head of the Elks any time and sign up with Lasky or Metro-Goldwyn. Mrs. A. E. Copeland as Mama Atherton gives a finished portrayal of a difficult role.

The youngsters, Christine Thompson as Baby Atherton, and Ira Gonyan as the newsboy do a Baby Peggy and Jackie Coogan that is most appealing.

Love, well it is a serious matter to many folks, is treated in a deft and lightsome manner in “Milwaukee Love.” That love conquers all seems to be the theme of the picture and certainly this portrayal of local love conquers any objection to laughter. The comedy scenes, which are numerous, drop plenty of laughs.

Open-Mouthed Villains

Warwick Beauchamp and Jack Curtis as the villains, lying on the ground with their mouths open after supposedly being killed by a bomb, is more than funny. Full of laughs, too, is the proposal scene, where Robert Johnson, the hero, embraces the heroine with the fervor of Strangler Lewis throwing an opponent for a third fall.

The picture finishes with a kaleidoscopic view of Milwaukee streets on a busy day, on which the pedestrians demonstrate all the animation of Keystone coppers rushing to a riot call.

1908 Jung Beer Ad

The Jung Brewery grew out of an earlier affiliation with Otto Falk and Ernst Borchert. By the time Prohibition was enacted in 1919, it strangled all Milwaukee breweries and only the largest were able to diversify enough to survive. The Jung Brewing Company by this time was growing but unfortunately did not have the diverse holdings to survive.

A few of its remnants could be seen until recently. The main office building of the brewery was still standing at 783 North Water Street until it was torn down in 1984. One of the last standing buildings in its brewery complex at 5th & Cherry was torn down a few years ago. An earlier building off of Pierce Street which was part of the Falk, Jung & Borchert Brewing Company barely stands and may be renovated if money and support can be found.

1951 Hiawatha Line

Back in the early 1950’s rail was the best way to get from place to place and the Milwaukee Road served the Midwest well. This ad from the Milwaukee Journal listed the costs and speed of the Hiawatha line to get to Minneapolis/St. Paul. The afternoon train took you there in a quick 5- 1/2 hours. Now the Amtrak Hiawatha line is potentially coming back with service which we haven’t seen in awhile.